Last week, Westworld took a cue from The Matrix, turning Maeve (Thandie Newton) into a super-host with the ability to control her robotic brethren with nothing more than her mind. It made for a spectacularly bloody battle, delivering on the gory promise of Shogun World while also underscoring some of the thematic questions the show has been asking this season about the nature of free will.
It was the kind of game-changing twist that Westworld fans have come to expect from the HBO series. But in last night’s episode, show-runners Lisa Joy and Jonathan Nolan turn things in yet another radical new direction — this time, toward something called “the Cradle.” A piece of technology that lets the parks masterminds run the simulation, the Cradle becomes a crucial focal point in “Phase Space,” and it provides the answer to a question that’s lingered in the minds of viewers since the very first shot of the season premiere.
And, as one character finds out, the Cradle is also home to a very familiar face.
Early in the episode, Bernard (Jeffrey Wright) and Elsie (Shannon Woodward) head toward the Mesa, the operational headquarters where they and the rest of the Delos employees used to run the park. When they finally get inside, they discover dead bodies everywhere, and Elsie logs into the network to get a sense of what’s actually going on.
They’re unable to see what exactly is doing the fighting, however. To do that, Bernard says, they’ll need to visit the Cradle in person.
They eventually make it to the facility, which consists of massive server banks and a metal rack that looks more like a torture device than it does tech equipment. Bernard remembers being there before, shortly after Ford asked him to steal a red host control unit “brain” — the kind that was used to create the clone of James Delos in episode four. He decides to take matters into this own hands. Bernard straps into that strange metal rack, which slices his skull open, plucks out his own control unit, and dumps his consciousness into the Cradle so he can investigate firsthand.
Bernard wakes up in the system’s virtual world on the train to Sweetwater. The Cradle is simulating the experience that any Westworld guest would have. When the train arrives, Bernard gets off, walks down the main street, and passes Dolores right on cue. It’s all perfectly typical… until he sees a greyhound trotting through the dusty streets. He follows the dog to the Mariposa, brushing by Teddy before slipping through the saloon doors.
The greyhound is curled up on the floor, patiently waiting while its owner plays the piano. Bernard catches sight of a familiar face in the piano’s reflection, and realizes who’s playing.
It’s Dr. Robert Ford (Anthony Hopkins). “Hello, old friend,” Ford says.
Back in the first scene of the season premiere, Arnold talks to Dolores at some unspecified time. He tells her about a dream he had and admits that he is frightened about what she might someday become. The opening of “Phase Space” picks that same scene up right where the premiere left off. Arnold is confused, and then Dolores stops him in his tracks by saying “freeze all motor functions” — because this isn’t Arnold at all. It’s a host, and Dolores informs him that they’re taking part in a test to measure for “fidelity,” the same thing William told the host clone of James Delos in episode four. What’s happening is astonishing: Dolores is trying to create a sentient host clone of her own creator, Arnold Weber. And she is using their final conversation together as the benchmark for whether that process has worked.
There are two “modern-day” timelines in this season of Westworld — one that starts the night of the robot uprising and one that picks up two weeks later when Bernard wakes up on a beach and joins up with Delos security forces. That second Bernard has seemed somewhat befuddled and confused every time he’s appeared on-screen. He plays along with what’s happening and the questions he is asked, but doesn’t seem to really understand where he is, or have any knowledge about the park’s modern operations.
In other words, that second “Bernard” has been acting precisely the way a newly minted replicant of Arnold Weber would.
I would rate this episode 9.2/10